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Tie-resist dyeing on mulmul cotton and gajji silk, the points tied by Khatri women across Kutch and Jamnagar in Gujarat, and in Rajasthan as bandhej. A fine piece can hold tens of thousands of knots, dyed lightest colour first and darkest last.
The whole design exists before a drop of dye arrives. A printer first pricks the pattern onto the cloth through a perforated sheet dusted with charcoal, laying out a grid of dots. Then the tying begins: a woman lifts a few threads of fabric on her fingernail, often grown long for exactly this, and winds thread tight around each raised point, hundreds of them across a hand's width. Those bound points are what the dye cannot reach. The cloth goes into the palest colour first, is opened and re-tied, then dipped darker, so one piece may pass through several baths and several rounds of knotting. Nothing is drawn on the finished cloth. The circles, squares and wave-grids are the white spots the thread protected, raised slightly where the fabric was pinched. The step everyone waits for is khulna, the untying, when the knots are pulled off and the pattern is seen whole for the first time.
RELATED READING
Entries, care guides and comparisons that touch the same cloth.
MAKING PROCESS
MAKING PROCESS
SUSTAINABILITY
CRAFT COMPARISON
TRADE HISTORY
MAKING PROCESS
OCCASION DRESSING
OCCASION DRESSING
WARDROBE BUILDING
MAKING PROCESS
REAL OR COPY
Two tests you can do with the piece in your hands: turn it over, and look along the repeat.
Tied, Raised, Never Identical
The cloth is slightly puckered where thousands of points were pinched and tied. Each dot is a tiny ring with a soft, uneven edge, and no two are exactly alike. The colour shows on both faces.
What to look for
Printed, Flat, Identical
A printed imitation is smooth, with no pucker to the hand. The dots are perfectly round and evenly spaced, repeating without variation. The pattern often sits on one face only.
Warning signs
How to wash it, store it, wear it and mend it.
Real against fake, this against that, and why it costs what it costs.
The people behind the cloth, told the way they tell it.